Cast: Prithviraj, Prakash Raj, Jyothika, Swarnamalya, Brahmanadam, M. S. Bhaskar
Direction: Radha Mohan
Music: Vidyasagar
The gutsy producer and actor Prakash Raj is always hunts for a new talented people after all of his movies done well under his the banner Duiet films. Hard work naver fails, and if trust and freedom given to the director sure the film will be succes. Always need to appriciate Prakash Raj for his confidence of produceing the movie. The versatile actor fit in for any roles and the audience always with him because of his talent(some time little over acting but that will be negligable because the effort he puts in). Director Radha mohan is already worked with the same banner given success in the film Azhagiya Theeye. Both of them is winning combination. The subject he is choose is really wonderfull in this generation. Everybodys life is going in a such a phase there is no time to help people who are really suffereres
Mozhi is a musical love story. It is the light hearted and at the same time, intense portrayal of love between a musician and a deaf and dumb girl. Karthik (Prithviraj) and Viji (Prakash Raj) are musicians who work in the dream factory. They are keyboard players who live and love music. They exhibit an infectious enthusiasm and enjoy life the way it is.
It is at this juncture that Karthik chances upon Archana (Jyothika), and she happens to live in the same apartment as Viji and Karthik. Karthik looks up to this woman with awe for her sheer courage, as she takes on a man who bashes his wife in the middle of the road. Karthik realizes that she could just be the one that he has been waiting for all his life.
Radha Mohan has given us clean entertainers like Azhagiya Theeye and Ponniyin Selvan before. With this film, he has joined the bandwagon of directors who remain uncompromising on quality. His screenplay is taut. Subtle directorial touches in the form of the bulbs burning bright when Karthik sees Archana and when Viji takes a liking for Sheela are exemplary. Mention can also be made of the gift Archana gives to Karthik (a violin made of soap), the musical clock, Archana being able to feel music by keeping her hands on the speakers, and the delicate humour that sneaks up when a neighbour (Neelima Rani) takes a liking for Karthik. Such nuances have made the film mor
KV Guhan’s cinematography and Kasi Viswanathan’s editing are neat and are of first-rate. Art director Kathir has lent creative touches with brilliant sets which strike a chord in the viewers’ minds. His sensitive set in the form of Jyothika’s room deserves mention.e interesting.
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