“I take life as it comes”

Visual effects supervisor turned art director Jackson shares his experience with his film Paruthiveeran, his future plans and more…

S Suresh Kumar

Despite the recognition he’s received as art director for the super hit film Paruthiveeran, Jackson comes across as a rather simple man.
“The success of a film doesn’t depend on how much money you’ve spent on the sets or how opulent you make them look. It depends on how realistic the shots look,” he told us.
Paruthiveeran
A producer is always walking on fire, trying to keep up with deadlines and financial commitments. So all Jackson does is keep it simple and make sure the sets are in coordination of the story. There are no dream sets in Paruthiveeran — but each and every shot has a rich look despite its minimalist appearance.
“You can’t separate art direction from the story. There’s a fight scene in the film and the director wanted to shoot it in muddy areas and there were a lot of aerial shots. So we decided to use tractors as props but the rains came and our plans went down the drains. But Aamir is an extremely particular director. He cancelled the shoot and we waited for the rains to stop. We had to do the whole thing all over again,” said Jackson.
Road to Art
Born in Bangalore and educated in Chennai, Jackson is a qualified artist from the School of Arts, Chennai. He’s worked at Pentamedia as a visual effects supervisor for more than eight years where he mastered 3D animation and models. He’s also worked at SG, 3D Studio Max and Maya. “I don’t really plan big. I take life as it comes and just give it my all,” he says.
In Indian cinema, scripts lack hard work. Pre-production is taken very lightly and that’s why there is much confusion on the sets, affecting the cost, length of film and even the release date,” says Jackson.
Budgeting art
This art director not only sketches and plans the sets, he also works with the carpenters where he can visualise shots not only on paper but creates it with the help of 3D tools before the schedule of the film.
This way, he helps the producer calculate the approximate time and money required for the sets, easily.
Working with Aamir
“It’s been a great opportunity, working with Aamir. He’s brilliant and the entire production was like a picnic. The success of a film depends largely on teamwork and he never wasted time on the sets. By the time the first shot was completed, we were ready with the third shot,” says Jackson.
This savvy art director has two more projects in the pipeline — Sakkarakatti and Onbathu Roopai Nottu and we just hope that his films keep adding feathers of success to his cap!